Group exhibition · 2022

SPRING

Everard Read · Franschhoek

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Installation view of SPRING: a multicoloured geometric sculpture and dark sculptures on white plinths in the front gallery, works on paper on the far wall — SPRING, Everard Read Franschhoek, 2022.

Installation view of SPRING: a blue cast head on a plinth, a large blue-and-white painting, a dark painting and a small black sculpture on a wall bracket — SPRING, Everard Read Franschhoek, 2022.

Installation view of SPRING: a blue cast head on a plinth and a small black sculpture on a wall bracket beside a large figurative painting — SPRING, Everard Read Franschhoek, 2022.

Did She Really Love You, 2021 — a black bronze column of clustered bubbling forms, 37.5 × 14.5 × 13 cm, on a white plinth — Did She Really Love You, 2021, bronze. Photograph courtesy Everard Read.

The Balance I Felt, 2021 — a pendulum of grown copper hanging inside an open frame, 36 × 15 × 15 cm — The Balance I Felt, 2021, copper. Photograph courtesy Everard Read.

Do I Do Enough, 2022 — a black carved kiaat form with drooping, pooled shapes, 70 × 40 × 30 cm, on a white plinth — Do I Do Enough, 2022, kiaat. Photograph courtesy Everard Read.

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Date: 10–24 September 2022
Location: Everard Read Franschhoek · 20 Huguenot Road
Format: Group exhibition

SPRING, a group show at Everard Read Franschhoek from 10 to 24 September 2022, brought together thirty-four of the gallery's artists, among them Sanell Aggenbach, Norman Catherine, Brett Murray, Lionel Smit, Angus Taylor and Lady Skollie.

Driaan Claassen showed three works: Do I Do Enough, Did She Really Love You and The Balance I Felt.

Gallery exhibition record

Works in the exhibition

Selected works from the exhibition.

Did she really love you?

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